Sergi Anasayfa<\/span><\/span><\/em><\/a><\/p>\n[\/et_pb_text][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”]<\/p>\n
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Mektup<\/span><\/p>\n[\/et_pb_text][et_pb_text _builder_version=”4.9.0″ background_color=”rgba(255,255,255,0.48)” background_size=”initial” background_position=”top_left” background_repeat=”repeat”]<\/p>\n
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Her g\u00fcn en az \u00fc\u00e7 kad\u0131n\u0131n katledildi\u011fi bir \u00fclkede \u201cKADIN\u201d olmak zor zanaat.
Ama \u201dKADIN SANAT\u00c7I\u201d olmak, ba\u015fka bir ser\u00fcven…
Daha \u00e7ocuklukta ba\u015flar bu macera.
Resim yapt\u0131\u011f\u0131 i\u00e7in t\u00fcm olanaklar\u0131 sunan, her \u00e7e\u015fit malzemeyi sa\u011flayan, daha ilkokulda zengin ya\u011fl\u0131boya tak\u0131mlar\u0131 alan, rahat \u00e7al\u0131\u015fabilmem i\u00e7in teras kat\u0131n\u0131 bana tahsis eden babam; s\u0131ra akademiye girmeye gelince t\u00fcm\u00fcyle de\u011fi\u015fti. Hatta \u201cBen k\u0131z\u0131m\u0131 sokakta bulmad\u0131m\u201d demeye ba\u015flad\u0131, kar\u015f\u0131 \u00e7\u0131k\u0131\u015flar\u0131na cevap olarak.
Ama bu i\u015f benim i\u00e7in \u00e7ok ciddi. Hatta hayat\u0131mda bundan daha \u00f6nemli hi\u00e7bir \u015fey yok. Gizlice akademi s\u0131navlar\u0131na girmek; hi\u00e7 istemedi\u011fim halde zorla sokuldu\u011fum \u00fcniversite s\u0131navlar\u0131ndan kimya b\u00f6l\u00fcm\u00fcn\u00fc kazanarak \u00e7\u0131kmak, ne b\u00fcy\u00fck i\u015fkenceydi.
Bu zul\u00fcm, DGSA giri\u015f s\u0131navlar\u0131 boyunca s\u00fcrd\u00fc. Akademi birinci s\u0131n\u0131f ise b\u00fcy\u00fck bir maraton oldu. Evimizin iki sokak ilerisindeki Fen Fak\u00fcltesi\u2019ne (Laleli) gidiyorum diye, F\u0131nd\u0131kl\u0131\u2019 ya gitmek inan\u0131lmaz bir ser\u00fcvendi benim i\u00e7in ve koskocaman bir yaland\u0131. S\u00fcrekli zamanla yar\u0131\u015fmak; benim i\u00e7in her \u015feyden daha k\u0131ymetli olan saniyeler, dakikalar… O g\u00fcnlerdeki hayat\u0131mla nas\u0131l ba\u015fa \u00e7\u0131kt\u0131m bilmiyorum; ama bu g\u00fcn de olsa ayn\u0131 \u015feyleri yapaca\u011f\u0131mdan ad\u0131m gibi eminim.
Bir k\u0131z \u00e7ocu\u011fu t\u0131rnaklar\u0131 ile kaz\u0131rsa, inatla direnirse ancak bir \u201dSanat\u00e7\u0131\u201c olabilir. Yoksa bamba\u015fka bir meslek sahibi olmak zorunda kal\u0131r…
<\/span><\/em><\/p>\nT\u00fclin ONAT<\/span><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.7.7″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.7.7″ _module_preset=”default”][et_pb_text _builder_version=”4.7.7″ _module_preset=”default”]<\/p>\n
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[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.7.7″ _module_preset=”default”][et_pb_accordion open_toggle_text_color=”#800080″ closed_toggle_text_color=”#800080″ _builder_version=”4.9.0″ _module_preset=”default” toggle_text_color=”#800080″ toggle_font=”Times New Roman||on||||||” closed_toggle_font=”Times New Roman||on||||||” body_font=”Times New Roman||on||||||” body_text_color=”#800080″][et_pb_accordion_item title=”T\u00fclin Onat” open=”on” _builder_version=”4.9.0″ _module_preset=”default”][\/et_pb_accordion_item][et_pb_accordion_item title=”\u00d6zge\u00e7mi\u015f” _builder_version=”4.9.0″ _module_preset=”default” toggle_font=”Times New Roman||on||||||” open=”off”]<\/p>\n
T\u00fclin Onat, 1971 y\u0131l\u0131nda \u0130stanbul Devlet G\u00fczel Sanatlar Akademisi Y\u00fcksek Resim B\u00f6l\u00fcm\u00fc\u2019n\u00fc bitirdi.<\/span><\/em>
1967\u2019den itibaren yurt d\u0131\u015f\u0131nda ve m\u00fczelerde inceleme ve \u00e7al\u0131\u015fmalar yapt\u0131. Bunlardan en \u00f6nemlileri 1970\u2019de Paris Louvre M\u00fczesinde Ingres\u2019den yapt\u0131\u011f\u0131 \u201cThe Turkish Bath\u201d ve 1971\u2019de Andrea Mantegna\u2019dan yapt\u0131\u011f\u0131 \u201cCarvary\u201d kopyalar\u0131d\u0131r. 1973\u2019de Avusturya H\u00fck\u00fcmet bursuyla Salzburg yaz akademisine gitti. 1987\u2019de Hasan Yelmen\u2019le birlikte Derimod K\u00fclt\u00fcr Merkezi\u2019ni kurdu ve bir\u00e7ok serginin tasar\u0131m\u0131n\u0131 \u00fcstlendi. Plastik sanatlar ad\u0131na o g\u00fcnlerde T\u00fcrkiye i\u00e7in \u00e7ok \u00f6nemli \u00e7al\u0131\u015fmalar yap\u0131ld\u0131. \u0130lk kez sanat\u00e7\u0131lar\u0131n sergileriyle birlikte kitap ve kataloglar\u0131n\u0131 haz\u0131rlad\u0131. Retrospektif\u00a0 sergiler d\u00fczenledi.<\/span><\/em><\/p>\nOnat \u00f6\u011fretim g\u00f6revlisi oldu\u011fu Marmara \u00dcniversitesi\u2019nden, 1983 y\u0131l\u0131nda \u201cSanatta Yeterlik\u201d ald\u0131. 1990\u2019da do\u00e7ent, 2000\u2019de profes\u00f6r oldu. Halen ayn\u0131 \u00fcniversitede \u00f6\u011fretim \u00fcyesi olarak \u00e7al\u0131\u015fmaktad\u0131r. 1970\u2019lerde fig\u00fcratif \u00e7al\u0131\u015fmalar \u00fcretmi\u015ftir. O y\u0131llarda \u00fclkenin ya\u015fad\u0131\u011f\u0131 sosyal olaylar resimlerinde anlat\u0131m\u0131n da a\u011f\u0131rl\u0131k kazanmas\u0131na neden olmu\u015ftur. 1980\u2019lerin ba\u015flar\u0131nda \u201cKad\u0131n\u201d konusunun i\u015flendi\u011fi yap\u0131tlar\u0131 daha sonraki bi\u00e7imsel \u00e7al\u0131\u015fmalar\u0131n\u0131n habercisi niteli\u011findedir. \u0130lk kez kullan\u0131lan \u015fekilli tuvaller, soyutlanm\u0131\u015f bi\u00e7imlerin tekrar\u0131 ve tekrardan do\u011fan ritim. Bu y\u0131llarda resimlerindeki de\u011fi\u015fim h\u0131zla artarken mek\u00e2n sorunu da azalma, yal\u0131nla\u015ft\u0131rma ve nostaljiden s\u0131yr\u0131lma eylemlerini birlikte getirmi\u015ftir. Bu tarihlerde yapt\u0131\u011f\u0131 mek\u00e2nda k\u00f6\u015feyi kaplayan \u201cGalaksi\u201d adl\u0131 yap\u0131t\u0131 (1988, Derimod K\u00fclt\u00fcr Merkezi) ilk kez tuvalin yerde de duvarla birlikte d\u00fczenlenebilece\u011fini g\u00f6sterdi ve \u00e7ok ilgi \u00e7ekti. Daha sonra yerde ve duvarda sergiledi\u011fi kal\u0131n tuvalleri (Nesne Tuvaller, B\u00fcy\u00fck Sergi, \u0130RHM ve ARHM 1990) ile resmin mek\u00e2nla birlikte d\u00fc\u015f\u00fcn\u00fclebilece\u011fini g\u00fcndeme getirdi. T\u00fclin Onat\u2019\u0131n\u00a0 duvar yaln\u0131zca ta\u015f\u0131y\u0131c\u0131 eleman de\u011fil resmin bir par\u00e7as\u0131d\u0131r s\u00f6ylemi t\u00fcm sergilerinde kendini a\u00e7\u0131k\u00e7a dile getirir.<\/span><\/em><\/p>\nYurt i\u00e7inde ve yurt d\u0131\u015f\u0131nda, pek \u00e7ok grup ve karma sergiye kat\u0131lm\u0131\u015ft\u0131r. Resimleri \u00f6zel koleksiyonlarda ve m\u00fczelerde yer almaktad\u0131r.<\/span><\/em><\/p>\nResimlerinde \u00f6nem verdi\u011fi derinlik, rengin etkisi ile yarat\u0131lan, 3. boyut, dokunma arzusu uyand\u0131ran, kabar\u0131k doku son resimlerinde iyice abart\u0131lm\u0131\u015ft\u0131r. Tuvallerindeki soyut boyut, keserek delerek \u00e7\u0131kartarak somuta ge\u00e7mi\u015f ve ger\u00e7ek 3. boyut yarat\u0131lm\u0131\u015ft\u0131r. B\u00f6ylece kesik tuvaller ortaya \u00e7\u0131km\u0131\u015ft\u0131r.<\/span><\/em><\/p>\nT\u00fclin Onat 200\u2019\u00fcn \u00fczerinde karma ve grup sergilerine kat\u0131lm\u0131\u015ft\u0131r.<\/span><\/em><\/p>\n[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.7.7″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.7.7″ _module_preset=”default”][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”]<\/p>\n
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[et_pb_section fb_built=”1″ _builder_version=”4.7.7″ background_enable_image=”off”][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.7.7″ _module_preset=”default”] [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”] T\u00fclin Onat [\/et_pb_text][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”] \u201cDilek A\u011fac\u0131\u201d Enstalasyon 2008 Akmerkez [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/gsfsergi.ebyu.edu.tr\/wp-content\/uploads\/2021\/03\/Tulin-Onat-Detay.jpeg” title_text=”T\u00fclin Onat-Detay” show_in_lightbox=”on” use_overlay=”on” […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4624"}],"collection":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4624"}],"version-history":[{"count":8,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4624\/revisions"}],"predecessor-version":[{"id":5572,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4624\/revisions\/5572"}],"wp:attachment":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}