Sergi Anasayfa<\/span><\/span><\/em><\/a><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”]<\/p>\n
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Mektup<\/span><\/p>\n[\/et_pb_text][et_pb_text _builder_version=”4.9.0″ background_color=”rgba(255,255,255,0.48)” background_size=”initial” background_position=”top_left” background_repeat=”repeat”]<\/p>\n
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Kad\u0131n sanat\u00e7\u0131lar i\u00e7in bir \u00e7ok olumsuz \u015feyler s\u00f6ylenmi\u015ftir. Bu Bat\u0131da 17-18 Y\u00fczy\u0131l’daki End\u00fcstri Devrimi ile ortaya \u00e7\u0131km\u0131\u015f, kad\u0131n evde ve tarlada \u00e7al\u0131\u015f\u0131rken, erkekler yeni alanlarda i\u015f sahibi olmaya ba\u015flam\u0131\u015flard\u0131r. Kad\u0131n\u0131n \u00e7ocuk do\u011furan kimli\u011finin de onun mant\u0131k ve zeka aras\u0131ndaki dengesizli\u011fine inan\u0131\u015f, yeterli e\u011fitim alamamas\u0131, toplumlarda arka planda kalmas\u0131na neden olmu\u015ftur. B\u00f6ylelikle ataerkil bir toplumda ya\u015fayan kad\u0131n\u0131n sanat ortam\u0131nda da yarat\u0131c\u0131l\u0131\u011f\u0131n\u0131n olmad\u0131\u011f\u0131 g\u00f6r\u00fc\u015f\u00fc benimsenmi\u015ftir. Bug\u00fcn ba\u015fyap\u0131t olarak m\u00fczelerde sergilenen eserlerin \u00e7o\u011funluk \u00e7ok tan\u0131nm\u0131\u015f erkek sanat\u00e7\u0131lar\u0131n eserleri olmas\u0131 da izleyicileri etkilemi\u015f, ortak sanat okullar\u0131nda okumu\u015f olsalar da kad\u0131n sanat\u00e7\u0131 genelde \u00f6n plana \u00e7\u0131kamam\u0131\u015ft\u0131r.
Kad\u0131n erkek ili\u015fkilerine bir de sosyal ortamda bakarsak, ev ya\u015fam\u0131nda kad\u0131n\u0131n erke\u011fin kararlar\u0131na uymak zorunda kalm\u0131\u015f oldu\u011funu, kar\u015f\u0131 \u00e7\u0131kt\u0131\u011f\u0131 zaman kavga ile ba\u015flayan tart\u0131\u015fma hiddetle cinayete kadar yol ald\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcr\u00fcz. Bu nedenle kad\u0131nlar\u0131n e\u015flerinden ayr\u0131lmak isteseler de \u00f6zg\u00fcr bir g\u00f6r\u00fc\u015f ortam\u0131nda sa\u011fl\u0131kl\u0131 ya\u015fad\u0131klar\u0131 s\u00f6ylenemez. E\u011fitimin evde ba\u015flad\u0131\u011f\u0131 d\u00fc\u015f\u00fcn\u00fcl\u00fcrse, \u00e7ocuklar aile i\u00e7i \u015fiddeti evde ya\u015fad\u0131klar\u0131ndan ilerleyen ya\u015flar\u0131nda bunun etkisinde kalarak anlay\u0131\u015f, birliktelik ve farkl\u0131l\u0131\u011f\u0131 kabul etmeyi \u00f6\u011frenmemi\u015f olabilirler. Bu da bizim giderek daha ataerkil bir toplum olu\u015fumuza katk\u0131da bulunur.
Ancak sorunlar\u0131 \u00e7\u00f6zmek tek tek m\u00fccadele etmekle ba\u015far\u0131ya ula\u015famaz. Yap\u0131lmas\u0131 gereken, birlikte \u00e7al\u0131\u015fmak, birbirimize destek olmakt\u0131r. Kad\u0131n erkek birlikte \u00e7al\u0131\u015f\u0131rsak, sorgulamay\u0131, di\u011fer ki\u015filerin g\u00f6r\u00fc\u015flerini g\u00f6rmeyi kabul edersek, hem sosyal hem de sanat ortamda ileriye ad\u0131m atabiliriz.
<\/span><\/em><\/p>\nTomur ATAG\u00d6K<\/span><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.7.7″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.7.7″ _module_preset=”default”][et_pb_text _builder_version=”4.7.7″ _module_preset=”default”]<\/p>\n
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\u0130stanbul\u2019da\u00a0 Robert Kolejden mezun olduktan sonra ABD\u2019de Oklahoma State University (BFA), University of California, Berkeley (MA) e\u011fitiminden sonra 1973\u2019de T\u00fcrkiye\u2019ye d\u00f6nerek,\u00a0 Resim ve Heykel M\u00fczesi M\u00fcd\u00fcr Yard\u0131mc\u0131l\u0131\u011f\u0131 g\u00f6revini 1980-1984 y\u0131llar\u0131nda \u00fcstlendi.\u00a0 Y\u0131ld\u0131z Teknik \u00dcniversitesi\u2019ne ge\u00e7erek \u00dcniversitenin K\u00fclt\u00fcr Bas\u0131n ve D\u0131\u015f \u0130li\u015fkiler ile G\u00fczel Sanatlar B\u00f6l\u00fcm\u00fc Ba\u015fkanl\u0131\u011f\u0131n\u0131 s\u00fcrd\u00fcrd\u00fc. 1989\u2019de T\u00fcrkiye\u2019de ilk M\u00fczecilik Y\u00fcksek Lisans Program\u0131n\u0131 kurdu,\u00a0 1997\u2019de \u00dcniversite\u2019nin Sanat ve Tasar\u0131m Fak\u00fcltesini kurdu, 2004-2006\u2019da Dekanl\u0131k yapt\u0131. Sanat\u00e7\u0131 olarak Tomur Atag\u00f6k\u00a0 ABD, Hollanda, Balkanlar ve T\u00fcrkiye\u2019de\u00a0 a\u00e7t\u0131\u011f\u0131 50 kadar ki\u015fisel serginin yan\u0131 s\u0131ra yine yurti\u00e7inde ve d\u0131\u015f\u0131nda \u00e7ok say\u0131da karma sergiye kat\u0131ld\u0131,\u00f6d\u00fcller ald\u0131, sanat ve m\u00fczecilik alan\u0131nda ara\u015ft\u0131rmalar yapt\u0131, yaz\u0131 yazd\u0131 ve bildiriler verdi. 2015\u2019de UPSD kendisine T\u00fcrk Sanat ortam\u0131na yapt\u0131\u011f\u0131 katk\u0131lar nedeniyle Onur \u00d6d\u00fcl\u00fc Verdi.<\/span><\/em><\/p>\n\n
Ald\u0131\u011f\u0131 \u00f6d\u00fcller Society of Illustrators Mansiyonu(1962), En Ba\u015far\u0131l\u0131 Mezun Sanat \u00d6\u011frencisi \u00d6d\u00fcl\u00fc(1962),\u00a0 Mixed Media Award in Mother Lode National Art Exhibition\u2019da Birincilik(1972),Devlet Resim ve Heykel Sergisi Ba\u015far\u0131 \u00d6d\u00fcl\u00fc(1974), UFACSI Clermont-Ferrand et Vicky International Arts Prix Grup \u00d6d\u00fcl\u00fc(1976), Ev Dekorasyon Dergisi Altin Palet Yar\u0131\u015fmas\u0131 Birincilik \u00d6d\u00fcl\u00fc(1979) G\u00fcn\u00fcm\u00fcz Sanat\u00e7\u0131lar\u0131 4. Istanbul Sergisi Ba\u015far\u0131 \u00d6d\u00fcl\u00fc(1983), Yeni E\u011filimler Sergisi G\u00fcm\u00fc\u015f Madalya(1983), TBMM Milli Egemenlik Yar\u0131\u015fmas\u0131nda \u00dc\u00e7\u00fcnc\u00fcl\u00fck(1985),Ankara Sanat Derne\u011fi Y\u0131l\u0131n En Ba\u015far\u0131l\u0131 Sanat\u00e7\u0131s\u0131 \u00d6d\u00fcl\u00fc, Halil Akdeniz ile ortakla\u015fa(1989) ve Fulbright Ara\u015ft\u0131rma Bursu (1996), Ni\u015fanta\u015f\u0131 \u00dcniversitesi, Ya\u015fam Boyu Onur \u00d6d\u00fcl\u00fc (2019)d\u00fcr.\u00a0\u00a0\u00a0<\/span><\/em><\/p>\n\n
Sanat\u00e7\u0131n\u0131n TBMM, \u0130stanbul Modern, Elgiz \u00c7a\u011fda\u015f Sanatlar M\u00fczesi, Merkez Bankas\u0131,\u00a0 Bank of Holland, Anadolu \u00dcniversitesi Sanat M\u00fczesi, Devrim Erbil M\u00fczesi, Unutmamak M\u00fczesi, Be\u015fikta\u015f\u00a0 Belediyesi Koleksiyonu, \u00dcrd\u00fcn Ulusal Sanat M\u00fczesi, Luciano Benetton Collection, Makedonya Cumhuriyeti\u2019nin Prilep, Kriva Palanka, Galicnik ve \u00dcsk\u00fcp Kent koleksiyonlarinda eserleri yer almaktad\u0131r.<\/span><\/em><\/p>\n[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.7.7″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.7.7″ _module_preset=”default”][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”]<\/p>\n
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[et_pb_section fb_built=”1″ _builder_version=”4.7.7″ background_enable_image=”off”][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.7.7″ _module_preset=”default”] [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”] Tomur Atag\u00f6k [\/et_pb_text][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”] \u201c\u00c7\u0131k\u0131\u015f\u201d 188\u00d796 cm1979 [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/gsfsergi.ebyu.edu.tr\/wp-content\/uploads\/2021\/03\/Tomur-Atagok.jpg” title_text=”Tomur Atag\u00f6k” show_in_lightbox=”on” use_overlay=”on” overlay_icon_color=”#ffffff” hover_overlay_color=”rgba(128,0,128,0.19)” […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4616"}],"collection":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4616"}],"version-history":[{"count":4,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4616\/revisions"}],"predecessor-version":[{"id":5569,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4616\/revisions\/5569"}],"wp:attachment":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4616"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}