Sergi Anasayfa<\/span><\/span><\/em><\/a><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.7.7″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.7.7″ _module_preset=”default”][et_pb_text _builder_version=”4.7.7″ _module_preset=”default”]<\/p>\n
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[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.7.7″ _module_preset=”default”][et_pb_accordion open_toggle_text_color=”#800080″ closed_toggle_text_color=”#800080″ _builder_version=”4.9.0″ _module_preset=”default” toggle_text_color=”#800080″ toggle_font=”Times New Roman||on||||||” closed_toggle_font=”Times New Roman||on||||||” body_font=”Times New Roman||on||||||” body_text_color=”#800080″][et_pb_accordion_item title=”Nurdan \u0130skender” open=”on” _builder_version=”4.9.0″ _module_preset=”default”][\/et_pb_accordion_item][et_pb_accordion_item title=”\u00d6zge\u00e7mi\u015f” _builder_version=”4.9.0″ _module_preset=”default” toggle_font=”Times New Roman||on||||||” open=”off”]<\/p>\n
Nurdan \u0130skender,<\/i><\/span><\/p>\n(1981, Trabzon – 2016, \u0130stanbul)<\/span><\/p>\n1981 Trabzon do\u011fumlu sanat\u00e7\u0131 Yeditepe \u00dcniversitesi Plastik Sanatlar (Resim, Heykel ve Seramik) B\u00f6l\u00fcm\u00fc mezunu. \u2018Say\u0131sal \u00c7okluk\u2019 adl\u0131 bir ki\u015fisel sergi a\u00e7t\u0131, bir\u00e7ok yar\u0131\u015fma ve gurup sergilerinde yer ald\u0131. \u00c7e\u015fitli dergilerde yaz\u0131lar\u0131 yay\u0131nland\u0131.<\/span><\/p>\nSANAT G\u00d6R\u00dc\u015e\u00dc VE \u2018PEMBE D\u0130YALOGLAR\u2019<\/span><\/p>\nDaha \u00e7ok kolaj a\u011f\u0131rl\u0131kl\u0131 \u00e7al\u0131\u015fan sanat\u00e7\u0131, \u00e7al\u0131\u015fmalar\u0131nda gerek gazete imajlar\u0131ndan, gerekse bizzat\u00a0ya\u015fad\u0131\u011f\u0131 d\u00fcnyadan yararlan\u0131yor. Nurdan \u0130skender\u00a0i\u00e7in \u2018resim yapmak\u2019 bir di\u011fer ifade arac\u0131!\u00a0Kavramlar\u0131n, hayat\u0131nda \u00e7ok b\u00fcy\u00fck \u00f6nemi oldu\u011funu s\u00f6yleyen sanat\u00e7\u0131, kelimelerin ve renklerin plastik dilini kullanarak g\u00f6rsel ve d\u00fc\u015f\u00fcnsel d\u00fcnya aras\u0131nda ba\u011f kurmaya \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor.<\/span><\/p>\nT\u00fcm \u00e7al\u0131\u015fmalar\u0131n\u0131 ya\u015fam\u0131yla ili\u015fkilendiren sanat\u00e7\u0131, d\u00fcnyay\u0131 par\u00e7alar halinde g\u00f6r\u00fcyor; gerek insan bedenini, gerekse di\u011fer nesneleri fragmanlara ay\u0131rarak tuvale yap\u0131\u015ft\u0131r\u0131yor. Herbir par\u00e7an\u0131n\u00a0bir hikayesi mevcut.<\/span><\/p>\n\u2018Pembe Diyaloglar\u2019 adl\u0131 sergide ise; bir y\u0131ldan beri ya\u015fad\u0131\u011f\u0131 Londra\u2019n\u0131n, bu farkl\u0131 k\u00fclturel \u015fehrin onda b\u0131rakt\u0131\u011f\u0131 etkileri g\u00f6rmek m\u00fcmk\u00fcn. \u015eehirici, \u015fehird\u0131\u015f\u0131, \u00fclke d\u0131\u015f\u0131 yolculuklarda rastlad\u0131\u011f\u0131 olaylar, farkl\u0131 \u0130ngiliz aile yap\u0131s\u0131 ve ya\u015fay\u0131\u015f\u0131, \u0130stanbul-Londra aras\u0131 yolculuklar sonucu iki farkl\u0131 k\u00fclt\u00fcr\u00fcn onda b\u0131rakt\u0131\u011f\u0131 etkiler ve L.Bourgeois\u2019nin \u00f6zellikle pembe tekstil \u00e7al\u0131\u015fmalar\u0131 onu \u00e7ok etkilemi\u015f ve bu serginin olu\u015fmas\u0131nda etken olmu\u015f.<\/span><\/p>\nKendini \u2018hicbir yere ait\u2019 hissetmeyen sanat\u00e7\u0131, \u0130ngiltere\u2019ye ilk geldi\u011fi zaman hissetti\u011fi duygular\u0131n \u00e7ok farkl\u0131 oldu\u011funu; bu duygular\u0131n i\u00e7inde her ne kadar \u2018yaln\u0131zl\u0131k, farkl\u0131l\u0131k\u2019 da olsa bunlar\u0131 asla \u2018yabanc\u0131l\u0131k, \u00f6tekilik\u2019 olarak de\u011ferlendirmedi\u011fini, \u2018\u00d6teki olma\u2019n\u0131n, \u00f6tekile\u015ftirilmenin d\u0131\u015f\u0131nda insan\u0131n kendi kendine bi\u00e7ti\u011fi k\u00f6t\u00fc bir yazg\u0131 oldu\u011funu s\u00f6yl\u00fcyor. Daha sonraki \u0130stanbul yolculuklar\u0131, di\u011fer k\u00fclt\u00fcrle tekrar kar\u015f\u0131la\u015fmalar, giderek \u00e7al\u0131\u015fmalar\u0131n\u0131n pembe\u2019den sar\u0131\u2019ya d\u00f6n\u00fc\u015fmesine ve k\u00fclt\u00fcrler aras\u0131 renkli diyaloglarlar\u0131n \u00e7\u0131kmas\u0131na\u00a0neden olmu\u015f.<\/span><\/p>\nDaha \u00e7ok kolaj a\u011f\u0131rl\u0131kl\u0131 \u00e7al\u0131\u015fmalar\u0131yla bilinen sanat\u00e7\u0131, farkl\u0131 olarak, 2008’de Londra’da ger\u00e7ekle\u015ftirdi\u011fi \u2018Pembe Diyaloglar’ adl\u0131 ki\u015fisel sergisinden bu yana s\u00fcrd\u00fcrd\u00fc\u011f\u00fc ve bu serginin de temelini olu\u015fturan \u00e7izimlerle, bir dizi d\u00fczenleme olu\u015fturuyor. Nurdan \u0130skender’e g\u00f6re resim yapmak, \u2018e\u011fer yetenek ve tutkulara do\u011fru yolu g\u00f6stermekse, \u00e7izginin d\u0131\u015f\u0131na \u00e7\u0131kmak da m\u00fcmk\u00fcn, i\u00e7inde kaybolmak da…’<\/span><\/p>\nYa\u015fam\u0131nda yer edinen ki\u015fi ya da olaylar\u0131n bir t\u00fcr resimsel analizini \u00e7\u0131kart\u0131yor sanat\u00e7\u0131: \u00c7al\u0131\u015fmalar\u0131nda her bir par\u00e7an\u0131n ayr\u0131 bir hikayesi mevcut; i\u00e7erisinde \u00e7ocuksu bir ironi ile g\u00fclen, a\u011flayan y\u00fczler ve kendi i\u00e7inde daha k\u0131s\u0131k sesli hikayeler bar\u0131nd\u0131r\u0131yor.<\/span><\/p>\nS\u00fcrekli seyir halindeki ya\u015fam\u0131ndan yans\u0131yan karelerde sadece \u015fehirleraras\u0131-\u00fclkeleraras\u0131 yolculuklar\u0131 de\u011fil, ayn\u0131 zamanda kendi i\u00e7indeki zihinsel yolculuklar\u0131, ini\u015f ve \u00e7\u0131k\u0131\u015flar\u0131 da g\u00f6rmek m\u00fcmk\u00fcn. \u0130skender`e g\u00f6re bu ini\u015f \u00e7\u0131k\u0131\u015flarla bir araya geli\u015f; \u2018farkl\u0131 t\u00fcrden bir duyumsama, bir meditasyon an\u0131ndaki y\u00fckseli\u015f ya da bir a\u015f\u0131\u011f\u0131n kendinden ge\u00e7isi gibi, sembolik olan\u0131 a\u015fan, sonsuz bir varolu\u015fa ait.’ Sanat\u00e7\u0131 kelimelerin ve renklerin plastik dilini kullanarak g\u00f6rsel ve d\u00fc\u015f\u00fcnsel d\u00fcnya aras\u0131nda bir ba\u011f kurmay\u0131 ama\u00e7lad\u0131\u011f\u0131n\u0131 s\u00f6ylemektedir.<\/span><\/p>\n[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.7.7″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.7.7″ _module_preset=”default”][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”]<\/p>\n
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[et_pb_section fb_built=”1″ _builder_version=”4.7.7″ background_enable_image=”off”][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.7.7″ _module_preset=”default”] [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”] Nurdan \u0130skender [\/et_pb_text][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”] \u201cAds\u0131z\u201d 10\u00d710 cm Tuval \u00dczerine Kar\u0131\u015f\u0131k Teknik 2015 [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/gsfsergi.ebyu.edu.tr\/wp-content\/uploads\/2021\/03\/Nurdan-Iskender.jpeg” title_text=”Nurdan […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4588"}],"collection":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4588"}],"version-history":[{"count":7,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4588\/revisions"}],"predecessor-version":[{"id":5555,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4588\/revisions\/5555"}],"wp:attachment":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}