Sergi Anasayfa<\/span><\/span><\/em><\/a><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”]<\/p>\n
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Kad\u0131n<\/span><\/p>\n[\/et_pb_text][et_pb_text _builder_version=”4.9.0″ background_color=”rgba(255,255,255,0.48)” background_size=”initial” background_position=”top_left” background_repeat=”repeat”]<\/p>\n
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\u201cDi\u015fi nedir?\u201d sorusunu Google\u2019 da arat\u0131nca, \u201cHayvan ve bitkilerin ERKE\u011e\u0130NCE d\u00f6llenecek bi\u00e7imde olu\u015fmu\u015f cinsi\u201d; ard\u0131ndan da erkek nedir sorusunu arat\u0131nca ise, \u201c\u0130nsan, hayvan ve bitkilerin di\u015fiyi d\u00f6lleyecek cinsten olan” tan\u0131m\u0131 ile kar\u015f\u0131la\u015f\u0131yorsunuz. Do\u011frusunu s\u00f6ylemem gerekirse tan\u0131mlar\u0131n bu kadar \u00fcreme temelli olmas\u0131n\u0131n yan\u0131 s\u0131ra “ERKE\u011e\u0130NCE” gibi bir aidiyet de i\u00e7ermesi beni \u00e7ok \u015fa\u015f\u0131rtt\u0131…
Ayn\u0131 soruyu bu sefer \u201cKad\u0131n nedir?\u201d \u015feklinde sordu\u011fumuzda, \u201cEvlenmi\u015f ya da k\u0131zl\u0131\u011f\u0131n\u0131 yitirmi\u015f di\u015fi insan” tan\u0131m\u0131 \u00e7\u0131k\u0131yor kar\u015f\u0131m\u0131za.
K\u0131zl\u0131\u011f\u0131n\u0131 yitirmek, kaybetmek, bu fiiller de bizi kimi zaman safl\u0131\u011f\u0131n\u0131 kaybetmek s\u0131fat\u0131na \u00e7\u0131karabiliyor\u2026
Aman Tanr\u0131m bu nas\u0131l bir \u015fey, nas\u0131l bir \u015fuuralt\u0131 demekten kendimi alam\u0131yorum…
Birileri bana, cinsel ili\u015fkiye giren bir k\u0131z\u0131n safl\u0131\u011f\u0131n\u0131 neden kaybetti\u011fini a\u00e7\u0131klamal\u0131.
G\u00f6zleri mi a\u00e7\u0131l\u0131yor?
Ayn\u0131 hik\u00e2ye cennetten kovulan \u00c2dem ve Havva i\u00e7inde anlat\u0131lm\u0131yor mu?
D\u00fc\u015f\u00fcnmeye, dolay\u0131s\u0131 ile de sorular sormaya devam ettik\u00e7e, zaten kar\u0131\u015f\u0131k olan kafam\u0131n daha da \u00e7ok kar\u0131\u015ft\u0131\u011f\u0131n\u0131 fark ediyorum.
\u00d6rne\u011fin, toplum i\u00e7inde evlilik \u00f6ncesi cinsel ili\u015fkide bulunan bir k\u0131z i\u00e7in neden edilgen bir konumda \u201cKirletilmi\u015f\u201d fiili kullan\u0131l\u0131yor?
Bu eylemin m\u00fcsebbibi s\u00f6z\u00fc edilen k\u0131z olamaz m\u0131?
Ayr\u0131ca cinsel ili\u015fki kurmak kirli bir \u015fey mi?
Ayn\u0131 eylemde bulunan partner ise, neden kirlenmiyor da, aksine \u00e7apk\u0131n tan\u0131m\u0131 ile ta\u00e7land\u0131r\u0131l\u0131yor.
\u201cErkektir yapar!\u201d Bu eylem i\u00e7in evlilik ahdinin olup olmad\u0131\u011f\u0131 bile genelde sorgulanmaz.
T\u00fcm bu eylemlerin ard\u0131nda kar\u015f\u0131m\u0131za bir de bek\u00e2ret kavram\u0131 ve a\u00e7\u0131l\u0131mlar\u0131 \u00e7\u0131k\u0131yor.
SAF, TEM\u0130Z, EL DE\u011eMEM\u0130\u015e, KUTSAL BAK\u0130RE\u2026
Evet, bakirelik kimi inan\u00e7larda kutsall\u0131\u011fa g\u00f6nderme de yapar.
D\u00fcnya nimetlerden elini \u00e7ekmek inzivada ya\u015famak nedense ki\u015fileri kutsalla\u015ft\u0131r\u0131r.
Eski Romal\u0131lardaki HEST\u0130A- VEST\u0130A rahibelerinde oldu\u011fu gibi.
Pagan \u0130nan\u00e7larda \u00e7e\u015fitli nedenlerle bakire kalmay\u0131 se\u00e7en tanr\u0131\u00e7alara rastlar\u0131z. Bu tanr\u0131\u00e7alardaki bakire kavram\u0131 tek Tanr\u0131l\u0131, dinlerdeki bakire kavram\u0131yla birebir \u00f6rt\u00fc\u015fmese de, kafam\u0131zdaki bakire tan\u0131m\u0131n\u0131n ana kaynaklar\u0131d\u0131r.
(\u00d6rne\u011fin, Artemis in tak\u0131nt\u0131l\u0131 bakire kalma istencinin benzerlerine toplum i\u00e7indeki \u0130nsank\u0131z\u0131nda da rastlar\u0131z. (Artemis annesi Leton\u2019 un, karde\u015fi Apollon\u2019 u do\u011fururken \u00e7ekti\u011fi do\u011fum sanc\u0131lar\u0131ndan k\u00f6t\u00fc etkilenip bakire kalmay\u0131 tak\u0131nt\u0131l\u0131 bir \u015fekilde s\u00fcrd\u00fcr\u00fcr.)Yine mitolojide Tanr\u0131\u00e7a Hestia, Bakire kalmak i\u00e7in yemin etmi\u015ftir. Ayn\u0131 k\u00fclt \u00fcn rahibeleri k\u00fc\u00e7\u00fck ya\u015flarda se\u00e7ilip e\u011fitiliyorlard\u0131. Se\u00e7ilen bu k\u0131zlar, bakirelik yemini ettikten sonra 30 y\u0131l da tap\u0131na\u011fa hizmet ederlerdi. Sa\u00e7lar\u0131 kesilir ve bakireli\u011fin sembol\u00fc olan beyaz elbise giyerlerdi. (Gelinli\u011fin beyaz olmas\u0131n\u0131n nedeni de bu mu?)
Hestia ve Hristiyan rahibelerinin rit\u00fcelleri aras\u0131nda da \u00f6nemli benzerlikler, paralellikler kurulabilir Hristiyan Rahibelerde, tanr\u0131n\u0131n o\u011flu ile hayali bir evlilik yapt\u0131klar\u0131 i\u00e7in rahibeli\u011fe kat\u0131l\u0131m t\u00f6renlerinde beyaz bir elbise giyerler.
Evet dini rit\u00fcellerin d\u0131\u015f\u0131nda g\u00fcnl\u00fck ya\u015fam i\u00e7inde de erkek evlenece\u011fi k\u0131z\u0131n el de\u011fmemi\u015f bakire, (saf ve temiz) olmas\u0131n\u0131 istemesi sadece i\u00e7inde ya\u015fad\u0131\u011f\u0131 toplumun olu\u015fturdu\u011fu bir \u00f6n yarg\u0131 m\u0131d\u0131r? Zifaf gecesinin sabah\u0131nda kanla sulanm\u0131\u015f \u00e7ar\u015faf\u0131 gururla payla\u015fan erke\u011fi anlamak zorunda m\u0131y\u0131z?
Sonu\u00e7 olarak:
B\u00fct\u00fcn bu tan\u0131mlar\u0131n tarihsel k\u00f6kenlerinde bir ba\u015fka erkekle k\u0131yaslanmaktan korkan erke\u011fin, bilince \u00e7\u0131km\u0131\u015f \u015fuuralt\u0131 m\u0131 var?
Bu nedenlerini kad\u0131nlar\u0131 k\u00fclt\u00fcr ve gelenek i\u00e7inde tutsakla\u015ft\u0131r\u0131p hapsediyoruz.
Son s\u00f6z:
Ayn\u0131 \u00e7\u00f6z\u00fcmlemeleri do\u011fadaki baz\u0131 canl\u0131lar\u0131n di\u015fileri i\u00e7in, \u00f6rne\u011fin cinsel ili\u015fki sonras\u0131 e\u015fini \u00f6ld\u00fcr\u00fcp daha sonra yemek i\u00e7in paketleyen di\u015fi \u00f6r\u00fcmcek, (Kara Dul) veya ayn\u0131 nedenlerle erkek e\u015fini yiyen peygamberdevesi i\u00e7in de yapmay\u0131 ne de \u00e7ok isterdim…
<\/span><\/em><\/p>\nBubi<\/span><\/em><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.7.7″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.7.7″ _module_preset=”default”][et_pb_text _builder_version=”4.7.7″ _module_preset=”default”]<\/p>\n
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Bubi 1977\u2019de \u0130stanbul \u00dcniversitesi Edebiyat Fak\u00fcltesi Psikoloji ve Antropoloji B\u00f6l\u00fcm\u00fc\u2019nden mezun oldu. 1979 ile 1992 y\u0131llar\u0131 aras\u0131nda sanat galerisi y\u00f6neticili\u011fi yapt\u0131. 1991 y\u0131l\u0131nda I. \u0130stanbul Sanat Fuar\u0131 genel k\u00fcrat\u00f6r\u00fc oldu. 2000 y\u0131l\u0131nda Adapazar\u0131\u2019nda kurulan \u0130srail k\u00f6y\u00fcnde 1998 depreminde \u00f6lenler an\u0131s\u0131na yerle\u015ftirme\/heykel \u00e7al\u0131\u015fmas\u0131 yapt\u0131. 2011\u2019de \u0130stanbul Modern\u2019de ger\u00e7ekle\u015fen \u201cGala Modern\u201d kapsam\u0131nda sergilenecek \u201cOturak\u201d adl\u0131 yap\u0131t\u0131 sak\u0131ncal\u0131 bulunarak sans\u00fcrlendi. Bu olay\u0131n ard\u0131ndan sanat\u00e7\u0131, \u00fcyesi oldu\u011fu UPSD\u2019den istifa etti.[1][2][3] 2011 y\u0131l\u0131nda a\u00e7t\u0131\u011f\u0131 100 Bubi Paras\u0131 isimli tek g\u00fcnl\u00fck sergide \u00fcst\u00fcne kendi portresini \u00e7izdi\u011fi paralar\u0131 sergiledi.[4] \u0130stanbul\u2019da ya\u015famakta ve \u00e7al\u0131\u015fmaktad\u0131r. Otodidakt olan sanat\u00e7\u0131, yap\u0131tlar\u0131nda geometrik kompozisyonlardan tuval \u00fczeri tekstil \u00e7e\u015fitlemelerine kadar uzanan kavram dizinlerini \u00e7al\u0131\u015fmaktad\u0131r. Bubi, boyanm\u0131\u015f bez kordonlar\u0131n\u0131, yatay ve dikey kafes bi\u00e7imleri ile \u00f6rg\u00fcsel bir kompozisyon d\u00fczeni i\u00e7inde bir araya getirir. Yap\u0131tlar\u0131 klasik tuval resmi kar\u015f\u0131s\u0131nda, teknik ve estetik bir uygulama olarak yeni \u00f6zg\u00fcn bir se\u00e7enek olu\u015fturmaktad\u0131r.<\/span><\/em><\/p>\n[\/et_pb_accordion_item][\/et_pb_accordion][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.7.7″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.7.7″ _module_preset=”default”][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”]<\/p>\n
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[et_pb_section fb_built=”1″ _builder_version=”4.7.7″ background_enable_image=”off”][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.7.7″ _module_preset=”default”] [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”] Bubi [\/et_pb_text][et_pb_text _builder_version=”4.9.0″ _module_preset=”default”] Leonardo Da Vinci’nin “Mona Lisa ” adl\u0131 tablosunun g\u00f6rseli \u00fczerine dijital m\u00fcdahale. 2011-2021 [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4518"}],"collection":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4518"}],"version-history":[{"count":10,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4518\/revisions"}],"predecessor-version":[{"id":5509,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4518\/revisions\/5509"}],"wp:attachment":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}