{"id":4433,"date":"2021-03-02T12:47:18","date_gmt":"2021-03-02T09:47:18","guid":{"rendered":"https:\/\/gsfsergi.ebyu.edu.tr\/?page_id=4433"},"modified":"2021-03-17T22:04:07","modified_gmt":"2021-03-17T19:04:07","slug":"yildiz-doyran-kadin-sergisi","status":"publish","type":"page","link":"https:\/\/gsfsergi.ebyu.edu.tr\/?page_id=4433","title":{"rendered":"Y\u0131ld\u0131z Doyran – Kad\u0131n Sergisi"},"content":{"rendered":"

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Y\u0131ld\u0131z Doyran<\/em><\/span><\/p>\n

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\u201cKibele\u201d<\/span><\/em><\/strong>
80\u00d7120 cm<\/span><\/em><\/strong>
Metal \u00dczerine Dijital Bask\u0131<\/span><\/em><\/strong>
2012<\/span><\/em><\/strong><\/p>\n

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\u2039<\/a>\u00a0 \u00a0 <\/strong><\/span>I\u00a0 \u00a0 <\/span><\/span>\u203a<\/span><\/strong><\/a><\/span><\/p>\n

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Sergi Anasayfa<\/span><\/span><\/em><\/a><\/p>\n

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Manifesto<\/span><\/p>\n

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T<\/span>anr\u0131\u00e7a Kybele ad\u0131 Anadolu ve D\u00fcnya insan\u0131 i\u00e7in \u00f6nemlidir. Binlerce y\u0131l \u00f6ncesinin yal\u0131n ve bir o kadar da etkili anlat\u0131mlar\u0131yla fig\u00fcrle\u015fen Tanr\u0131\u00e7a Kybele, insan haklar\u0131, bar\u0131\u015f, demokrasi, ilerleme, \u00e7evre konusunda duyarl\u0131 t\u00fcm insanlar\u0131 etkileyen bir simgedir. Ge\u00e7mi\u015fteki inan\u00e7larda kad\u0131n\u0131 y\u00fcceltme, kad\u0131na tapma ve hatta ibadet etme varken; bug\u00fcn gelinen noktada: materyalist anlay\u0131\u015f\u0131n \u015fekillendirdi\u011fi modernitenin \u00e7arklar\u0131 aras\u0131nda kalan kad\u0131n; asaletini, onurunu, anneli\u011fini kaybetme tehlikesiyle kar\u015f\u0131 kar\u015f\u0131ya kalm\u0131\u015ft\u0131r. Do\u011falar\u0131n\u0131 korumak i\u00e7in direnmek zorunda olan anaerkil toplum ve onlar\u0131 de\u011fi\u015fime u\u011fratan ataerkil kapitalist toplum direnci; ya\u015fad\u0131\u011f\u0131m\u0131z \u00e7a\u011f\u0131n \u00fcretim ara\u00e7, bi\u00e7im ve ili\u015fkilerinin ait oldu\u011fu yeni ataerkil toplum yap\u0131s\u0131 tekrar sorgulanmaktad\u0131r. KADIN\u2019\u0131n toplumun ya\u015famas\u0131, \u00fcremesi ve sa\u011fl\u0131kl\u0131 olmas\u0131 i\u00e7in \u00fcstlendi\u011fi roller, mitsel alanda da ana soyunu ge\u00e7erli k\u0131lm\u0131\u015ft\u0131r. Her \u015feyin kayna\u011f\u0131, do\u011fa anad\u0131r. Kad\u0131n anaerkil toplumsal d\u00fczenin geli\u015fip ya\u015fand\u0131\u011f\u0131 neolitik \u00e7a\u011f boyunca, a\u011f\u0131rl\u0131\u011f\u0131 olan ancak bask\u0131c\u0131 ve otoriter olmayan bir i\u015flev \u00fcstlenmi\u015ftir. Ortakla\u015fa \u00fcretim yerle\u015fik Klan d\u00fczeninde, m\u00fclkiyet yine ortak ve Klan i\u00e7i demokrasiyi zorunlu k\u0131lm\u0131\u015ft\u0131r.\u00a0 Bu d\u00f6nemden g\u00fcn\u00fcm\u00fcze dek geli\u015fen toplumsal d\u00fczen, anaerkil toplum yap\u0131s\u0131n\u0131n ataerkil toplum yap\u0131s\u0131na do\u011fru evrilmesinin ko\u015fullar\u0131n\u0131 yaratm\u0131\u015ft\u0131r. \u0130lkel kominal toplumu \u00e7eli\u015fkiye s\u00fcr\u00fckleyen, \u00fcretim g\u00fc\u00e7lerinin geli\u015fimi olmu\u015ftur. Mit ve inan\u00e7 sistemi, ataerkil d\u00fczenin ideolojisini de \u015fekillendirmi\u015ftir.Ekonomik \u00fcretim bi\u00e7im ve ili\u015fkilerinin bi\u00e7imlendirdi\u011fi altyap\u0131, \u00fcstyap\u0131daki kurumlar\u0131n\u0131 olu\u015fturmu\u015f, DEVLET olgusu da bu \u015fekilde tarihte yerini alm\u0131\u015ft\u0131r\u2026.<\/span><\/em><\/p>\n

Y\u0131ld\u0131z DOYRAN<\/span><\/em><\/p>\n

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\"\"<\/p>\n

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Y\u0131ld\u0131z DOYRAN 1964 y\u0131l\u0131nda Hopa\u2019da do\u011fdu. 1986 y\u0131l\u0131nda Gazi \u00dcniversitesi E\u011fitim Fak\u00fcltesi Resim B\u00f6l\u00fcm\u00fc\u2019nden mezun oldu. Abant \u0130zzet Baysal \u00dcniversitesi E\u011fitim Fak\u00fcltesi Resim b\u00f6l\u00fcm\u00fc\u2019nde ara\u015ft\u0131rma g\u00f6revlili\u011fi g\u00f6revini y\u00fcr\u00fct\u00fcrken Y\u00fcksek Lisans derecesini ald\u0131. 2002 y\u0131l\u0131nda Hacettepe \u00dcniversitesi\u2019nde Resim B\u00f6l\u00fcm\u00fc\u2019nde Doktora derecesini ald\u0131. Sonra . Abant \u0130zzet Baysal \u00dcniversitesi E\u011fitim Fak\u00fcltesi Resim B\u00f6l\u00fcm\u00fc\u2019nde Yard\u0131mc\u0131 Do\u00e7ent olarak \u00e7al\u0131\u015ft\u0131. 2006 y\u0131l\u0131nda Do\u00e7entlik \u00fcnvan\u0131n\u0131 alan Doyran, Gazi \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi Resim B\u00f6l\u00fcm\u00fc\u2019nde \u00e7al\u0131\u015fmaya ba\u015flad\u0131. Profes\u00f6rl\u00fc\u011f\u00fcn\u00fc Gazi \u00dcniversitesi\u2019nde alan sanat\u00e7\u0131, 2014 y\u0131l\u0131na kadar burada \u00e7al\u0131\u015ft\u0131. 2014 y\u0131l\u0131nda D\u00fczce \u00dcniversitesi Sanat, Tasar\u0131m ve Mimarl\u0131k Fak\u00fcltesi Dekan\u0131 olarak \u00e7al\u0131\u015fmaya ba\u015flad\u0131. Halen bu g\u00f6revine devam etmektedir.<\/span><\/em><\/p>\n

Doyran\u2019\u0131n sanat\u0131n\u0131n k\u00f6klerini do\u011fa ile modernizmden miras kalan postmodern kavramlar beslemektedir. Onun resim, foto\u011fraf ve enstalasyonlar\u0131nda sezgi, tecr\u00fcbe, anl\u0131k ya\u015fant\u0131lar\u0131n sonu\u00e7lar\u0131ndaki yo\u011funluklar\u0131n ifadesi arand\u0131\u011f\u0131 g\u00f6r\u00fclmektedir. Eserlerinde s\u00fcrekli olarak kendi kendine yeten insan\u0131n do\u011fadaki m\u00fccadelesi ve sistemle olu\u015fturdu\u011fu varolu\u015f \u00e7eli\u015fkileri sorgulanmaktad\u0131r.<\/span><\/em><\/p>\n

Doyran ond\u00f6rt ki\u015fisel sergisinin yan\u0131s\u0131ra, bir\u00e7ok ulusal ve uluslararas\u0131 sergiye kat\u0131lm\u0131\u015ft\u0131r. Sanat\u00e7\u0131 kurulu\u015fundan g\u00fcn\u00fcm\u00fcze Uluslararas\u0131 Kooridor Sanat\u00e7\u0131lar\u0131 aras\u0131nda yer almaktad\u0131r. A\u015fa\u011f\u0131da ki\u015fisel sergileri bulunmaktad\u0131r:<\/span><\/em><\/p>\n

\u00a0<\/strong>Ki\u015fisel Sergiler<\/strong><\/span><\/em><\/p>\n

\u00a0<\/strong>2000<\/strong> \u201cAnlar ve Izler\u201d Galeri Soyut, Ankara<\/span><\/em><\/p>\n

2002<\/strong>“Do\u011fa \/ Nature “Devlet Resim Heykel M\u00fczesi, Ankara<\/span><\/em><\/p>\n

2004 <\/strong>\u201cMakro\u201d Galeri X, ISTANBUL<\/span><\/em><\/p>\n

2005<\/strong> \u201c\u2026\u201d\u00a0 K\u00fcrat\u00f6r:Nilg\u00fcn Y\u00fcksel,Galeri Artist,ISTANBUL<\/span><\/em><\/p>\n

2006<\/strong> \u201cD\u00f6n\u00fc\u015f\u00fcm I\u201d K\u00fcrat\u00f6r:Nilg\u00fcn Y\u00fcksel ,Terakki\u00a0 Vakf\u0131 Sanat Galerisi, \u0130STANBUL<\/span><\/em><\/p>\n

2007<\/strong>\u00a0 \u201cAn\u0131n Fark\u0131nda Olmak\u201d A\u0130B\u00dc \u0130zzet Baysal K\u00fclt\u00fcr Merkezi, BOLU<\/span><\/em><\/p>\n

2008<\/strong> \u201cDemirin \u00dcst\u00fcnde Kar\u0131nca \u0130zi\u201d K\u00fcrat\u00f6r: Denizhan \u00d6zer, \u00c7a\u011fda\u015f Sanatlar Merkezi, ANKARA<\/span><\/em><\/p>\n

2009<\/strong>\u201c\u0130lk S\u0131\u011f\u0131na\u011f\u0131m\u0131z Bir A\u011fa\u00e7 dal\u0131yd\u0131\u201d Achaia Clauss-Patras-YUNAN\u0130STAN<\/span><\/em><\/p>\n

2009<\/strong> \u201cYa\u015fam Ba\u015fka Yerde\u201d Atlas Sanat Galerisi, ANKARA<\/span><\/em><\/p>\n

2009<\/strong> \u201cDirenme Noktas\u0131\u201d K\u00fcrat\u00f6r: Denizhan \u00d6zer, Akademililer Sanat Galerisi, \u0130STANBUL 2010<\/strong> \u201cD\u00f6ng\u00fcsel Gizler\u201d K\u00fcrat\u00f6r: Denizhan \u00d6zer, Akademililer Sanat Galerisi, \u0130STANBUL, 2014\u00a0\u00a0\u00a0\u00a0 \u201c<\/strong>Hayat Hamlesi\u201dSlancio Vitale\u201d,Roma B\u00fcy\u00fckel\u00e7ili\u011fi,Mostra Aperta Al Pubblico, Roma,\u0130TALYA,<\/span><\/em><\/p>\n

2015<\/strong> \u201cHayat Hamlesi\u201d K\u00fcrat\u00f6r: Denizhan \u00d6zer, Akademililer Sanat Galerisi, \u0130STANBUL<\/span><\/em><\/p>\n

2018 <\/strong>\u201c\u00c7\u0130-Ya\u015fam Enerjisi\u201d K\u00fcrat\u00f6r:Dilek Karaiziz \u015eener,Artrooms Galeri,Girne,KIBRIS<\/span><\/em><\/p>\n

2019<\/strong> \u201cSuya Yans\u0131yanlar\u201d Midland Hotel 29 Station Road NW4 4PN \u0130ngiltere LONDRA<\/span><\/em><\/p>\n

2019<\/strong> \u201cSuya Yans\u0131yanlar II\u201d\u00a0 Yak\u0131n Do\u011fu \u00dcniversitesi T\u00fcrk Modern Sanatlar M\u00fczesi Galerisi Lefko\u015fa, K\u0131br\u0131s<\/span><\/em><\/p>\n

2020<\/strong> \u201cYeniden Do\u011fa\u201d D\u00fczce \u00dcniversitesi STMF Sanat Galerisi A\/B Salonu, D\u00fczce<\/span><\/em><\/p>\n

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[et_pb_section fb_built=”1″ _builder_version=”4.7.7″ background_enable_image=”off”][et_pb_row _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”4_4″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.7.7″ _module_preset=”default”]     [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,2_3″ _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.7.7″ _module_preset=”default”]     Y\u0131ld\u0131z Doyran [\/et_pb_text][et_pb_text _builder_version=”4.7.7″ _module_preset=”default”]           \u201cKibele\u201d 80\u00d7120 cm Metal \u00dczerine Dijital Bask\u0131 2012 [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/gsfsergi.ebyu.edu.tr\/wp-content\/uploads\/2021\/03\/Yildiz-Doyran-Eser-scaled.jpg” title_text=”Y\u0131ld\u0131z […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4433"}],"collection":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4433"}],"version-history":[{"count":23,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4433\/revisions"}],"predecessor-version":[{"id":5574,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/4433\/revisions\/5574"}],"wp:attachment":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}