[et_pb_section fb_built=”1″ _builder_version=”4.7.5″ _module_preset=”default” background_color=”#000000″][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.7.5″ _module_preset=”default” background_color=”#000000″][et_pb_column type=”1_2″ _builder_version=”4.6.6″ _module_preset=”default”][et_pb_text _builder_version=”4.7.6″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″]<\/p>\n
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YEN\u0130 D\u00dcNYAYA MEKTUPLAR<\/strong><\/span><\/p>\n (\u00c7at\u0131\u015fmalar)<\/strong><\/span><\/p>\n R\u00f6nesans; Orta\u00e7a\u011f\u0131n \u00f6zg\u00fcr d\u00fc\u015f\u00fcnceye kapal\u0131 kap\u0131lar\u0131n\u0131n, bilimsel-ele\u015ftirel d\u00fc\u015f\u00fcnce ve rasyonalizm anahtarlar\u0131 ile araland\u0131\u011f\u0131 \u00e7a\u011f\u0131n ba\u015flang\u0131c\u0131yd\u0131. Her a\u00e7\u0131lan kap\u0131, Karanl\u0131k \u00c7a\u011f\u2019\u0131n koridorlar\u0131n\u0131 ayd\u0131nlatarak insan ya\u015fam\u0131n\u0131 \u00f6zg\u00fcrle\u015ftirmekteydi. \u00d6zg\u00fcrl\u00fc\u011fe, demokrasiye, felsefeye, akla ve sanata kap\u0131lar\u0131n\u0131 aralayarak \u0131\u015f\u0131\u011f\u0131 i\u00e7eriye alan toplumlarda b\u00fcy\u00fck geli\u015fmeler ya\u015fand\u0131.<\/span><\/p>\n Nas\u0131l ki, kap\u0131lar odalar\u0131 koridorlara, evleri soka\u011fa, kentleri \u00fclkelere, \u00fclkeleri d\u00fcnyaya ba\u011fl\u0131yorsa, d\u00fc\u015f\u00fcn ve k\u00fclt\u00fcrel ya\u015famda a\u00e7\u0131lan kap\u0131lar, insan\u0131 insana, \u00e7a\u011flar\u0131 \u00e7a\u011flara ba\u011flad\u0131. Akl\u0131n yakt\u0131\u011f\u0131 \u0131\u015f\u0131kla dolan insanl\u0131k tarihinin bu yeni koridoru \u201cAyd\u0131nlanma \u00c7a\u011f\u0131yd\u0131\u201d. H\u00fcmanizm ise bu \u00e7a\u011f\u0131n insan\u0131n\u0131n daha iyi bir ya\u015fam ve gelecek tasar\u0131m\u0131n\u0131n ad\u0131yd\u0131.<\/span><\/p>\n \u2026Ve insanl\u0131k tarihinin hi\u00e7bir d\u00f6neminde ya\u015fanmayan h\u0131zl\u0131 geli\u015fmeler ya\u015fand\u0131, koridorlar koridorlara ba\u011fland\u0131: Sanayi Devrimi, Modernle\u015fme, Kentle\u015fme, Kapitalle\u015fme, Teknoloji Devrimi, K\u00fcreselle\u015fme, Dijital Devrim, Yapay Zek\u00e2, Ak\u0131ll\u0131 \u00dcretim Sistemleri\u2026<\/span><\/p>\n Ne yaz\u0131k ki bir faytonu \u00e7eken iki k\u00fcheylandan biri olan insan\u0131n teknolojik evrimi, fiziksel evrimini geride b\u0131rakt\u0131. Fiziksel varl\u0131k olan insano\u011flunun fiziksel g\u00fcc\u00fcne ihtiya\u00e7 gittik\u00e7e azald\u0131. \u00c7a\u011f atlad\u0131\u011f\u0131m\u0131z\u0131 sand\u0131k. \u00c7\u00fcnk\u00fc fiziksel d\u00fczeyden beyinsel d\u00fczeye \u00e7\u0131km\u0131\u015ft\u0131k. Atomu par\u00e7alayarak maddeyi enerjiye d\u00f6n\u00fc\u015ft\u00fcrm\u00fc\u015ft\u00fck, fakat a\u015fkla k\u00f6pr\u00fcler kurmay\u0131 unutmu\u015ftuk (\u0130nsan ve do\u011fa sevgisiyle kurulan k\u00f6pr\u00fcler, insanlar\u0131, toplumlar\u0131, k\u00fclt\u00fcrleri bir birine ba\u011flar ve ya\u015fam\u0131 geni\u015fletir). Kalabal\u0131kla\u015ft\u0131k, kalabal\u0131kla\u015ft\u0131k\u00e7a tahrip ettik, yaln\u0131zla\u015ft\u0131k ve yabanc\u0131la\u015ft\u0131k.<\/span><\/p>\n 6 A\u011fustos 1945 sabah\u0131,\u00a0 k\u00fc\u00e7\u00fck \u00e7ocuk adl\u0131 uranyum tipi bomban\u0131n Japonya’n\u0131n Hiro\u015fima kentine, 3 g\u00fcn sonra \u015fi\u015fman adam ad\u0131 verilen pl\u00fctonyum tipi bomban\u0131n Nagazaki kentine at\u0131lmas\u0131yla par\u00e7aland\u0131k. D\u00fc\u015fen her bombayla R\u00f6nesans\u2019la ba\u015flayan akl\u0131n \u0131\u015f\u0131\u011f\u0131yla ayd\u0131nlanan koridorlarda \u00e7atlaklar olu\u015fmaya ba\u015flam\u0131\u015ft\u0131. Hatta bu \u00e7atlaklar g\u00fcn\u00fcm\u00fcze yakla\u015ft\u0131k\u00e7a hat\u0131rlamaktan korktu\u011fumuz karanl\u0131k dehlizlere d\u00f6n\u00fc\u015ft\u00fc.<\/span><\/p>\n Kitle ve t\u00fcketim k\u00fclt\u00fcr\u00fc bizi ku\u015fatan \u00f6\u011felere sorgulay\u0131c\u0131 bakmam\u0131z\u0131 engelledi. 21.y\u00fczy\u0131lda kap\u0131m\u0131zdaki \u00e7at\u0131\u015fmalar\u0131 Steven Spielberg\u2019in y\u00f6netti\u011fi Er Ryan’\u0131 Kurtarmak filmi gibi izledik.<\/span><\/p>\n G\u00fcn\u00fcm\u00fczde ise, insan yaln\u0131z kendi cinsine de\u011fil, sanki ya\u015fad\u0131\u011f\u0131 do\u011faya sava\u015f a\u00e7m\u0131\u015f gibi. Kendi y\u00fczd\u00fc\u011f\u00fcm\u00fcz sular\u0131 kirleten bal\u0131klara d\u00f6nd\u00fck ve nefes alamayaca\u011f\u0131m\u0131z g\u00fcnleri umursamadan kirletmeye devam ediyoruz. Bilim, d\u00fc\u015f\u00fcn, sanat insanlar\u0131 taraf\u0131ndan t\u00fcketim toplumu, kitle k\u00fclt\u00fcr\u00fc, toprak, su kaynaklar\u0131, GDO’lu yiyecekler, k\u00fcresel \u0131s\u0131nma, h\u0131zla artan n\u00fcfus, gittik\u00e7e teknoloji \u00e7\u00f6pl\u00fc\u011f\u00fc haline gelen d\u00fcnya konusunda s\u00fcrekli uyar\u0131l\u0131yoruz. Fakat art\u0131k daha bilin\u00e7li ve daha mesafeliyiz . Mesela eskiden oldu\u011fu gibi kol kola, omuz omuza gezmiyor, g\u00fcn\u00fcn hangi saati olursa olsun, ka\u00e7\u0131nc\u0131 kar\u015f\u0131la\u015fma oldu\u011funa bakmaks\u0131z\u0131n yanak yana\u011fa \u00f6p\u00fc\u015fm\u00fcyor, kucakla\u015fm\u0131yoruz. Kendimizi maskeleyerek sosyal ya\u015fama kat\u0131l\u0131yoruz.<\/span><\/p>\n \u0130nsanl\u0131\u011f\u0131 cehalet ve ak\u0131l d\u0131\u015f\u0131l\u0131k tutsakl\u0131\u011f\u0131ndan kurtaracak modernizm sava\u015flarla, \u00f6zg\u00fcrle\u015fme \u00fclk\u00fcs\u00fc ise sosyal mesafe kurallar\u0131n\u0131n ya\u015fam alan\u0131na sokulmas\u0131yla sonu\u00e7land\u0131.<\/span><\/p>\n \u00d6te yandan, K\u00fcreselle\u015fme s\u00fcrecinin dijital veri ak\u0131\u015flar\u0131n\u0131n artmas\u0131yla yeni bir evreye girdi\u011fi \u2018dijital k\u00fcreselle\u015fme\u2019<\/strong> (digital globalization) olgusuna tan\u0131k olduk. K\u00fclt\u00fcr\u00fc bir bah\u00e7eye benzetirsek, K\u00fcreselle\u015fme<\/strong> s\u00fcreci y\u00f6resel ya da b\u00f6lgesel bah\u00e7eleri d\u00fcnyan\u0131n di\u011fer bah\u00e7elerine a\u00e7arak geni\u015fletti\u011fi gibi, di\u011fer taraftan bah\u00e7eleri ayn\u0131la\u015ft\u0131rmaya ve \u00e7\u00f6lle\u015ftirmeye ba\u015flad\u0131. Dijital k\u00fcreselle\u015fmeyle sermaye ve bilgi ak\u0131\u015f\u0131n\u0131n h\u0131zlanmas\u0131 ise insanlar\u0131n birbiriyle daha ba\u011flant\u0131l\u0131 hale gelmesini sa\u011flad\u0131\u011f\u0131 gibi bir\u00e7ok insansal problemi derinle\u015ftirdi. Fulcher’in ara\u015ft\u0131rmalar\u0131na g\u00f6re, 1820\u2019lerde d\u00fcnyadaki en zengin 5 \u00fclke; en yoksul 5 \u00fclkeye g\u00f6re 3 kat daha zenginken, 1950\u2019lerde 35 kat, 1970\u2019lerde 44 kat ve 1992 de 72 kat zengin hale geldi. Bug\u00fcn bir\u00e7ok uluslu \u015firket, bir\u00e7ok \u00fclkenin ekonomisinden daha b\u00fcy\u00fck oldu\u011fu gibi, bir\u00e7ok \u00fclkenin ekonomik kaynaklar\u0131n\u0131 kontrol etmekte.<\/span><\/p>\n Kan\u0131mca sanat\u0131n diyalekti\u011fi, de\u011fi\u015fen bir d\u00fcnyada sanat\u0131n g\u00f6revi de de\u011fi\u015fmekte. Sanat alan\u0131na a\u00e7\u0131lan kap\u0131lar da, art\u0131k tek anahtarl\u0131 de\u011fil, bir\u00e7ok anahtar gerektiriyor. Sanat alan\u0131nda da bug\u00fcn tek cevab\u0131n yerini \u00e7ok \u00e7ok y\u00f6nl\u00fc yakla\u015f\u0131mlar almakta.<\/span><\/p>\n Charles Darwin\u2019in tan\u0131m\u0131yla yakla\u015facak olursak bilim ve sanat bir ku\u015fun iki kanad\u0131 gibidir. Bu iki kanad\u0131 kullanabilen toplumlar u\u00e7ar ve \u00f6zg\u00fcr olurlar.<\/span><\/p>\n K\u00fclt\u00fcr ve sanat yoksa \u201cinsan\u0131n\u201d gelece\u011fi tehlikededir. Her \u015feyin de\u011fi\u015fti\u011fi dijital k\u00fcreselle\u015fme ortam\u0131nda sanata ve sanat\u00e7\u0131ya her d\u00f6nemden daha fazla sorumluluklar d\u00fc\u015fmekte.<\/span><\/p>\n Fevzi Nuri KARA<\/span><\/p>\n [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.6.6″ _module_preset=”default”][et_pb_image src=”https:\/\/gsfsergi.ebyu.edu.tr\/wp-content\/uploads\/2020\/12\/FNuriKara-scaled.jpg” title_text=”FNuriKara” show_in_lightbox=”on” _builder_version=”4.7.6″ _module_preset=”default” custom_padding=”81px|||||”][\/et_pb_image][et_pb_text _builder_version=”4.7.6″ _module_preset=”default”]<\/p>\n Fevzi Nuri Kara<\/span> [\/et_pb_text][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjI2MzQifX0=@” button_text=”Fevzi Nuri Kara Hakk\u0131nda” button_alignment=”left” _builder_version=”4.7.6″ _dynamic_attributes=”button_url” _module_preset=”default” custom_button=”on” button_text_size=”24px” button_text_color=”#ffffff” button_bg_color=”#000000″ button_border_width=”4px” button_border_color=”#000000″ button_font=”Indie Flower||||||||” button_icon=”%%258%%” button_icon_color=”#ffffff” button_icon_placement=”left” button_on_hover=”off” custom_margin=”||-2px|||”][\/et_pb_button][et_pb_button button_url=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9saW5rX3VybF9wYWdlIiwic2V0dGluZ3MiOnsicG9zdF9pZCI6IjYwNSJ9fQ==@” button_text=”Sergiye Geri D\u00f6n” button_alignment=”left” _builder_version=”4.7.5″ _dynamic_attributes=”button_url” _module_preset=”default” custom_button=”on” button_text_size=”24px” button_text_color=”#ffffff” button_bg_color=”#000000″ button_border_width=”4px” button_border_color=”#000000″ button_font=”Indie Flower||||||||” button_icon=”%%41%%” button_icon_color=”#ffffff” button_icon_placement=”left” button_on_hover=”off”][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" [et_pb_section fb_built=”1″ _builder_version=”4.7.5″ _module_preset=”default” background_color=”#000000″][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.7.5″ _module_preset=”default” background_color=”#000000″][et_pb_column type=”1_2″ _builder_version=”4.6.6″ _module_preset=”default”][et_pb_text _builder_version=”4.7.6″ _module_preset=”default” hover_enabled=”0″ sticky_enabled=”0″] YEN\u0130 D\u00dcNYAYA MEKTUPLAR (\u00c7at\u0131\u015fmalar) R\u00f6nesans; Orta\u00e7a\u011f\u0131n \u00f6zg\u00fcr d\u00fc\u015f\u00fcnceye kapal\u0131 kap\u0131lar\u0131n\u0131n, bilimsel-ele\u015ftirel d\u00fc\u015f\u00fcnce ve rasyonalizm anahtarlar\u0131 ile araland\u0131\u011f\u0131 \u00e7a\u011f\u0131n ba\u015flang\u0131c\u0131yd\u0131. Her a\u00e7\u0131lan kap\u0131, Karanl\u0131k \u00c7a\u011f\u2019\u0131n koridorlar\u0131n\u0131 ayd\u0131nlatarak insan ya\u015fam\u0131n\u0131 \u00f6zg\u00fcrle\u015ftirmekteydi. \u00d6zg\u00fcrl\u00fc\u011fe, demokrasiye, felsefeye, akla ve sanata kap\u0131lar\u0131n\u0131 aralayarak […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/2466"}],"collection":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2466"}],"version-history":[{"count":6,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/2466\/revisions"}],"predecessor-version":[{"id":3334,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/2466\/revisions\/3334"}],"wp:attachment":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2466"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\u201c\u00c7at\u0131\u015fmalar V\u201d<\/span>
2020<\/span>
110 cm x 120 cm<\/span>
Kar\u0131\u015f\u0131k Teknik, Dijital.<\/span><\/p>\n