[et_pb_section fb_built=”1″ _builder_version=”4.4.8″][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.4.8″][et_pb_column type=”1_2″ _builder_version=”4.4.8″][et_pb_image src=”https:\/\/gsfsergi.ebyu.edu.tr\/wp-content\/uploads\/2020\/06\/Ismet_Dogan.jpg” title_text=”Ismet_Dogan” align=”right” _builder_version=”4.4.8″ hover_enabled=”0″ custom_padding=”60px||||false|false”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.4.8″][et_pb_text _builder_version=”4.4.8″ hover_enabled=”0″ custom_padding=”60px||60px||false|false”]<\/p>\n
1957\u2019de Ad\u0131yaman\u2019da do\u011fdu. Marmara \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi\u2019nden 1983 y\u0131l\u0131nda mezun oldu. Ard\u0131ndan, Frans\u0131z H\u00fck\u00fcmeti bursuyla Paris\u2019e giderek; burada iki y\u0131l kald\u0131. 1990\u2019larda T\u00fcrkiye\u2019ye d\u00f6nerek \u0130stanbul\u2019a yerle\u015fti.<\/p>\n
\u0130smet Do\u011fan, 1980\u2019li y\u0131llardaki ilk i\u015flerinde; tarih, k\u00fclt\u00fcr, gelenek kavramlar\u0131n\u0131 dadaizm teknikleri-kolaj, montaj, grafiti ve \u201cready-made\u201d nesneler ile birle\u015ftirip sorunsalla\u015ft\u0131rd\u0131. Bir d\u00fc\u015f\u00fcn\u00fcr olarak ise, T\u00fcrkiye tarihinde, \u00f6zellikle bat\u0131l\u0131la\u015fma-modernle\u015fme projesinin dayatm\u0131\u015f oldu\u011fu, temell\u00fck etti\u011fi-\u015fiddetin ve travman\u0131n etkilerine odakland\u0131. \u0130smet Do\u011fan\u2019\u0131n i\u015flerinde, Latin harflerinin sunulmas\u0131, 20. y\u00fczy\u0131l\u0131n ba\u015flar\u0131nda T\u00fcrkiye\u2019de ger\u00e7ekle\u015fen dil reformunun, toplumsal m\u00fchendisli\u011finde politik bir ara\u00e7 olarak kullan\u0131ld\u0131\u011f\u0131n\u0131n a\u00e7\u0131\u011fa vurumudur. \u0130smet Do\u011fan\u2019a g\u00f6re, bu politik ara\u00e7salla\u015ft\u0131rma daha sonra toplumun kendi k\u00fclt\u00fcr\u00fcne kar\u015f\u0131 yabanc\u0131la\u015fmas\u0131na yol a\u00e7m\u0131\u015ft\u0131r. Sanat\u00e7\u0131, bunun i\u00e7inde travmaya yol a\u00e7an \u015fiddetli bir politik eylem g\u00f6rmektedir. Do\u011fan\u2019\u0131n modernle\u015fme sorunsal\u0131n\u0131, tuvali \u00fczerinde kelimeler (Logos, B\u00e2B\u00e2 gibi) veya rastgele da\u011f\u0131t\u0131lm\u0131\u015f harfler ile aynalar kurgular ve bunlar bug\u00fcne kadarki \u00e7al\u0131\u015fmalar\u0131n\u0131n ayr\u0131lmaz bir par\u00e7as\u0131 olarak devam eder.<\/p>\n
2000\u2019lerde ise yap\u0131tlar\u0131na bir ba\u015fka ele\u015ftirel boyut katarak \u00f6zellikle s\u00f6m\u00fcrgecilik konusu \u00fczerine gider ve sanat tarihine referanslarla sinematografik materyal de\u011fi\u015fimleri y\u00f6n\u00fcnden bir stratejiyle konuya yakla\u015f\u0131r. \u0130smet Do\u011fan film karelerine kendi imgesini yerle\u015ftirmek suretiyle bu sahnelerde k\u00fc\u00e7\u00fck de\u011fi\u015fiklikler yapar ve film karakterleriyle bir \u00f6zde\u015flik-kimlik kurma s\u00fcreciyle ayn\u0131 zamanda Bat\u0131 g\u00f6rsel k\u00fclt\u00fcr\u00fcn\u00fcn temell\u00fck etti\u011fi temsili sistemler \u00fczerine ele\u015ftirel bir yorum getirir. Ayn\u0131 d\u00f6nemde, aynalar Do\u011fan i\u00e7in temel bir \u00e7al\u0131\u015fma materyali haline gelir. Yar\u0131 mat veya saydam aynalar ile i\u00e7 ve d\u0131\u015f b\u00fckey aynalar i\u00e7inde seyirci akseder, \u00e7o\u011fal\u0131r ve kendi bedeniyle bir yabanc\u0131 olarak kar\u015f\u0131la\u015f\u0131r. Dahas\u0131 bir ba\u015fka \u015fey olarak, sanat yap\u0131t\u0131n\u0131n bir par\u00e7as\u0131 olarak i\u015flev g\u00f6r\u00fcr.<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
[et_pb_section fb_built=”1″ _builder_version=”4.4.8″][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.4.8″][et_pb_column type=”1_2″ _builder_version=”4.4.8″][et_pb_image src=”https:\/\/gsfsergi.ebyu.edu.tr\/wp-content\/uploads\/2020\/06\/Ismet_Dogan.jpg” title_text=”Ismet_Dogan” align=”right” _builder_version=”4.4.8″ hover_enabled=”0″ custom_padding=”60px||||false|false”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.4.8″][et_pb_text _builder_version=”4.4.8″ hover_enabled=”0″ custom_padding=”60px||60px||false|false”] 1957\u2019de Ad\u0131yaman\u2019da do\u011fdu. Marmara \u00dcniversitesi G\u00fczel Sanatlar Fak\u00fcltesi\u2019nden 1983 y\u0131l\u0131nda mezun oldu. Ard\u0131ndan, Frans\u0131z H\u00fck\u00fcmeti bursuyla Paris\u2019e giderek; burada iki y\u0131l kald\u0131. 1990\u2019larda T\u00fcrkiye\u2019ye d\u00f6nerek \u0130stanbul\u2019a yerle\u015fti. \u0130smet Do\u011fan, 1980\u2019li y\u0131llardaki ilk i\u015flerinde; tarih, k\u00fclt\u00fcr, gelenek kavramlar\u0131n\u0131 […]<\/p>\n","protected":false},"author":9,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","spay_email":""},"jetpack_sharing_enabled":true,"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/1423"}],"collection":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1423"}],"version-history":[{"count":3,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/1423\/revisions"}],"predecessor-version":[{"id":1469,"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=\/wp\/v2\/pages\/1423\/revisions\/1469"}],"wp:attachment":[{"href":"https:\/\/gsfsergi.ebyu.edu.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1423"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}